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Notes on the origin of Akzidenz-Grotesk

Posted on 28 April 2023 in: , , ,

Footnotes C: Retracing the origins of Akzidenz-Grotesk

Posted on 16 July 2019 in: , , ,

German, Swiss, and Austrian typefaces named Royal or Akzidenz

Posted on 12 February 2019 in: , ,

Bauer’s view of Berthold up until about 1927

Posted on 2 June 2024 in: , ,

Fette Fraktur questions

Posted on 6 March 2023 in: , ,

Berthold steel types from Dornemann & Co.

Posted on 23 November 2022 in: , , , ,

Berthold’s patented type designs, 1900–1907 and 1921–1931

Posted on 26 August 2022 in: , ,

Hildegard Henning’s Belladonna typeface (1912)

Posted on 26 August 2022 in: , , ,

How old is the specimen? And the typeface?

Posted on 23 August 2022 in: , , , ,

Germany’s brass type foundries: Project start

Posted on 25 March 2022 in: , ,
Behrens Antiqua Gebr. Klingspor Offenbach Maas & Jungvogel Crefeld Krefeld Schriften für die Vergoldepresse in Glockenmetall gegossen brass types fonts specimen Allard Pierson, University of Amsterdam, call number KVB LPF 215

Lapidar, from Genzsch & Heyse (born 1874)

Posted on 13 February 2021 in: , ,

Sanserif type in Germany in the nineteenth century: a preliminary survey

Posted on 29 December 2020 in: , ,

Imperial-era Germany’s definitive heavy sans

Posted on 19 August 2020 in: , ,

Another word on Accidenz-Grotesk and Royal-Grotesk’s appearances in Theinhardt specimens

Posted on 29 March 2020 in: , , ,
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